Pretending to be a role is very different than being the role. It gets really messy when you discuss this with the acting community… because the style of off shoots of METHOD acting Have become integrated in our teachings. The teachers of today were among the first or second generation of this approach. It is imbedded and systemic…it can’t be undone…like the vine that a German guy brought to NC and it now covers all the trees and looks like a forest but it is a vine killing the forest itself…looks can be deceptive.
I went to London in 1995/6 and worked with the best teachers from RADA that we now working at Webber Douglas I was kind of like the vine…going there to learn what they were doing but in a way…starting to expose the alternative American training to these classical teachers…perhaps they saw the future…a. Bunch of emotionally unstable artists…just waiting to happen.
Here is a perfect example of how my American approach to acting was received.
I was the ONLY American actor there and they accepted me into a class of post graduate students. I was beyond thrilled and thankful.
we had midterm performances and I did a monologue that I thought was amazing. I mean I broke down on stage crying and opening up my heart. I was amazed how OPEN i way, how connected to my true self…and what happened after that was that the school threatened to kick me out.
They were very confused by what I was doing and said…”why are YOU crying? That’s not your job! That is the job of the audience!”
It was such a wakeup call. I was sitting across from an acting instructor and she was holding a tissue box and I was just crying again. Now from her critique of my amazing breakthrough movement…and she was like..
“what the hell are you doing?” That was ugly and sloppy and not professional at all”
all I see in my memory bank is a constant flow of tissues.
I am not sure I ever fully adapted their approach as my first language but it gave me structure to my work in many ways.
After they suggested I consider leaving the school I cut my emotional connections off and started making fun of the teachers ( this this was s suggestion of one of the teachers themselves) in My final showcase monologue of a high strung woman…..pretending to Steward Pierce our high strong voice teacher.
This time I was greeted with accolades…. They were fully impressed with my IMPRESSION of a character- my ability to ACT…not become…
I remember this one teacher was like do you want to know who we were all most surprised by? I was feeling like such the pathetic student I was like…no…
She smiled and said. YOU.
It was such a huge shock and wake up call.
However. I rarely see classical teaching anymore and even London theater…in their contemporary theatre seemed so become so American- talk about the tail wagging the dog.
